Tag Archives: filming

Production work for CBC’s documentary

Posted on by
Reply

Today was Nagnathiya, and the CBC team was in Varanasi to start filming their documentary titled *India Rebron – Myths and Might*. Mr. Shubhranshu Chowdhary called me to inform me about it. I had previously assisted him with researching the characters. I met the team at Veer Bhadra Mishra’s house, where the play is organized in Benares. The crowd was massive, with over 25,000 people attending. Although I had seen the play several times before, this was my first experience watching it from a boat, which was a lot of fun. There were many VIPs around my boat.

CBC’s camera was incredible—it was an HD camera, and I had never seen anything like it before. I stayed with them throughout the play’s filming. Afterward, we went to Dashashwamedh Ghat to film the Aarti, which was the final task for the day. CBC wanted to film Mr. Veer Bhadra Mishra the next morning, something I had been looking forward to. I asked Mr. Chowdhary if I could observe Mr. Mishra’s interview, and he said he would call me when they started shooting.

I was very excited about the interview and eagerly awaited Mr. Chowdhary’s call, but he didn’t call. When I finally reached out to him, he informed me that I wouldn’t be able to attend the interview due to certain restrictions imposed by Mr. Mishra. After Mr. Mishra’s interview, the team spent the entire day filming Raja Babu, one of our characters. After two days with Raja Babu, they left Benares.

Work with MTV Italy

Posted on by
Reply

My brother, who was working as an Italian interpreter for MTV Italy, asked me to assist them in Benares and Allahabad. They were working on a documentary titled *Camminando*, a joint production between MTV Italy and LA7 (Channel 7). They were in Lucknow when they contacted me, and their next stop was Allahabad, where they wanted to film Patalpuri Temple and the ghats, but they didn’t have any contacts or a clear plan for the shoot. I was tasked with selecting characters and scheduling interviews in both Benares and Allahabad, with only four days to complete the work.

I reached out to Mr. Shubhranshu Chowdhary, who had been my boss during the CBC documentary, to see if he knew anyone in Allahabad. He provided me with the contact information of a journalist in Benares, who then connected me with another journalist in Allahabad. The following day, I traveled to Allahabad and met the journalist. We visited all the locations MTV wanted to film, including the Patalpuri Temple, which is located within Akbar’s fort and is now a military base. Despite our attempts to contact the army officers, the process seemed too lengthy given our tight schedule. I decided to leave this part to the journalist and returned to Benares to complete the remaining tasks.

In Benares, MTV wanted to film Sadhus, Babas, and Aghoris. I first visited the Kina Ram Monastery, the headquarters of the Aghor society. However, I was unable to obtain permission to shoot there because previous TV channels had filmed there without proper authorization, resulting in unauthorized footage being included in their broadcasts. I learned that Aghoris are often misunderstood; they do not consume dead body flesh or engage in other extreme practices as rumored. Although they were very open and informative, they did not allow us to film.

I then visited several other Aghor monasteries, all of which shared similar views about the society’s practices, emphasizing that Aghoris no longer partake in such rituals. I also explored Bhagwan Avdhoot Ram Ashram on the other side of the Ganga, which was quite interesting. The ashram operates a hospital recognized in the Guinness World Records for treating the most leprosy patients, as well as a school for street children, a library, and a press. Although the ashram was initially reluctant to allow MTV to film due to previous issues with the Kina Ram Monastery, I managed to persuade them to permit the shoot.

I visited other monasteries that were open to filming, including one with several Italian Aghoris. Despite their limited knowledge about Aghora, MTV was keen to include them. MTV was particularly interested in finding an Aghori who would eat dead body flesh on camera. This was a challenge because, according to Aghoris, such practices had been abandoned over 400 years ago by Baba Kina Ram and were now prohibited. However, I managed to locate an Aghori who agreed to eat dead body flesh. He planned to perform a special puja called Mahabhog once a year, using dead body flesh, and was willing to conduct an additional puja specifically for MTV.

I was shocked by his willingness to engage in such practices for money. He even provided a list of materials he needed, including two bottles of whisky, and assured me he would arrange for the dead body. He explained that when bodies are cremated, some are retrieved by the Doams, who work at the funeral place, and this would be used for his puja. MTV Italy was thrilled to have found someone willing to perform this ritual, but their Rome office ultimately prohibited the footage of the ritual due to ethical concerns. After completing the filming in Allahabad, MTV Italy arrived in Benares.

We filmed all the planned characters, including an intriguing Baba known as Lali Baba, who wore over 350 necklaces weighing more than 40 kg and engaged in various unique practices. MTV considered Lali Baba to be the standout character of the documentary. We also filmed at the Mother Teresa Home. When the shoot concluded, MTV Italy left Varanasi. Unfortunately, they were among the most disorganized teams I have ever worked with. They lacked a clear schedule, had no knowledge of what to do in Benares until just days before their arrival, and were unfamiliar with the characters they wanted to film.

Later, my brother informed me that the entire crew was arrested in Khajuraho for filming inside temples where cameras were prohibited. They had entered the temple by scaling the back wall and spent over eight hours in jail. Their lack of organization was astonishing.

Research for CBC Documentary

Posted on by
1

Nandlal Master contacted me seeking information about Doams (people working at cremation sites) in Varanasi. He mentioned that his friend, currently in Varanasi, was interested in making a documentary about the lives of Doams. Since I live near the Ghats and have many friends along them, I could easily gather information about Doams. We met me at Assi Ghat, and we started checking hotels nearby to find his friend, who was staying somewhere in the vicinity. After visiting over ten hotels near Assi, we finally found his friend at a hotel close to the ghat.

When we met, his friend explained that he was a freelance journalist who had previously worked for the BBC but had left a few years ago. Currently, he was working on a CBC documentary titled *Myths and Might*. His role involved finding suitable subjects, scheduling interviews, and obtaining legal permissions. Since he was new to Varanasi, he needed my help to locate the right characters for his documentary. He was specifically looking for a young Doam whose father still worked at a cremation site, and who either attended computer classes or had a computer-related job. The goal was to highlight how Indian society was evolving.

I took him to Manikarnika Ghat, a major cremation site, where I knew a few people. We managed to meet over ten individuals, all eager to participate. We also met some people with wood shops at the site who asked us to return the next day. I consulted with some other friends who lived near Manikarnika Ghat about Doams, and was surprised to learn that Doams still had a king. They mentioned that nothing could be done without his permission. As it was getting dark, we decided to head home and continue our research the next day.

The following morning, we returned to Manikarnika Ghat. We spoke with many more people and asked if their children attended school. It was shocking to find that none of the people we spoke to had children in school. After talking to over 15 individuals, we decided to visit Harishchandra Ghat, another cremation site, where we spoke with many more people. We eventually met a 55-year-old man working at the electric burner at Harishchandra Ghat. His son, Raja Babu, worked for Reliance Money. We visited their home, met the family, and discussed CBC’s project with them. They agreed to participate in the documentary.

Raja Babu had an LLB degree from Banaras Hindu University and worked as an Area Manager for Reliance Money. His story was exactly what we were looking for. They explained that after Raja Babu completed fifth grade, no school would admit him due to the social stigma against Doams. Despite his father’s meager earnings as a rickshaw driver, he wanted his children to be educated. When no school would accept Raja Babu, he continued his studies independently. Eventually, Raja Babu began working as a helper at a doctor’s clinic, where he received training and financial support.

When a wealthy and respected person from Varanasi passed away and his family needed to arrange the cremation, Raja Babu’s uncle, who was working at Harishchandra Ghat, requested that Raja Babu be admitted to school instead of asking for money. The family agreed, and Raja Babu was admitted to Bengali Tola Inter College. Despite facing discrimination, he completed his 12th grade and later pursued a BA, MA, and LLB from BHU. After working for an American NGO called Cash for India, he joined Reliance Money. Raja Babu’s journey was compelling, and we decided to feature him in the documentary.

The next day, we visited the Doam Raja, the king of the Doam community. His home was unconventional—food was cooked using the wood left from cremations, and the house had a peculiar smell. He had a large family and several animals, and he was notably intoxicated when we arrived. Despite the challenging conditions, he agreed to grant permission for filming at Manikarnika and Harishchandra Ghats. On his roof, we saw two tiger statues, which were part of a local legend. It was said that the Doam Raja and the Maharaja of Benares were never friends. The Doam Raja had a tiger statue erected facing the Maharaja’s palace, which displeased the Maharaja.

The case ended with a court ruling requiring the Doam Raja to either remove the statue or build another one facing the opposite direction. The Doam Raja chose to erect a second statue facing away from the first one. With all the necessary permissions and characters in place, the CBC team was ready to proceed with their documentary project.